Sofia Selowsky, lauded by Opera News as a "silvery-luminescent mezzo-soprano of power & poise," makes significant debuts in the 19/20 season, joining the roster of the Metropolitan Opera, the Milkwaukee Symphony, the Atlanta Symphony, and returning to Opera Theatre of Saint Louis.
WARMTH & WEIGHT
THE HOUSTON CHRONICLE
As Butterfly's servant Suzuki, mezzo-soprano Sofia Selowsky complemented Martinez through her voice's
Praised by Opera News as a “silvery-luminescent mezzo-soprano of power and poise,” Sofia Selowsky continues to establish herself as an exciting artist on both the operatic and concert stage. In her 19/20 season, Sofia joins the roster of the Metropolitan Opera, covering the roles of Javotte in Manon and Maketaten in Akhnaten. She subsequently sings with the Milwaukee Symphony for Handel's Messiah, and debuts with the Atlanta Symphony under the baton of Robert Spano for Bach's Cantata No. 29 and Vaughan Williams' Serenade to Music. In the summer of 2020, she returns to Opera Theatre of Saint Louis as Iris. L in the world premiere of Tobias Picker's Awakenings.
Sofia's 18/19 season began in recital with Bethany Self under the auspices of the Metropolitan Opera National Council and saw a return to Ars Lyrica Houston as the title role in Handel’s Agrippina. She made her orchestral debuts in Handel’s Messiah with the Kansas City Symphony and in Mozart’s Requiem with the Charlotte Symphony. Sofia also made her role debuts in concert as Donna Elvira in Don Giovanni with the Jacksonville Symphony and as Dorabella in Così fan tutte with the Rochester Philharmonic.
In her 17/18 season, Sofia joined the Houston Ballet for its production of Sir Kenneth MacMillan’s Mayerling, the Lexington Philharmonic for performances of Dominick Argento’s Casa Guidi, and the North Carolina Symphony for Mozart’s Requiem. In the spring, she returned to the Houston Grand Opera to make her role debut as Rosina in Il barbiere di Siviglia, for which she was praised by Opera News for her “honey-rich sound,” “silvery top end,” and “amazingly clear passagework.” Additional role and house debuts included Mercédes in Carmen with the Atlanta Opera and the Stewardess in Jonathan Dove’s Flight with Des Moines Metro Opera.
“Making her HGO debut, Selowsky sings with a unique zeal—she’s
A SINGER TO LOOK OUT FOR
in the future.”
In prior seasons, Sofia has appeared with Opera Theatre of Saint Louis as Frau Grubach in the American Premiere of Philip Glass’ The Trial and Mère Jeanne in Dialogues of the Carmelites. Other repertoire includes William Bolcom’s A Wedding, Despina in Così fan tutte under the baton of Jane Glover, and Lazuli in Chabrier’s L’étoile. Equally at home on the concert stage, she has performed Storgé in Handel’s Jephtha (Ars Lyrica Houston), Handel’s Messiah (Minnesota Orchestra), Mozart’s Requiem (Sarasota Orchestra and North Carolina Symphony), and the mezzo soloist in Falla's The Three-Cornered Hat and Schumann’s The Pilgrimage of the Rose, both with the Houston Symphony.
A graduate of the famed Houston Grand Opera Studio, Sofia was heard in a wide variety of roles during her time as a Studio Artist, including Suzuki in Madama Butterfly opposite Ana Maria Martinez, the Fox in Rachel Portman’s The Little Prince, the Second Wood Nymph in Rusalka, Nell Gwynn in the world premiere of Carlisle Floyd’s new opera, Prince of Players, and Eliza in the premiere of David Hanlon’s After the Storm.
Sofia was a 2016 grant recipient from the Gerda Lissner Foundation and a 2015 recipient of a Richard F. Gold Career Grant from the Shoshanna Foundation. In 2014, she was a National Semifinalist in the Metropolitan Opera National Council Auditions and won Third Place in the Houston Grand Opera’s prestigious Eleanor McCollum Competition. Other honors include the Italo Tajo Memorial Award (CCM Opera Scholarship Competition), an Emerging Talent Award from the Kurt Weill Foundation’s Lotte Lenya Competition, the Emile Dieterle Scholarship (CCM), and an Artist Development Fellowship from Harvard University.
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